*Spoiler (!) alert*

Having studied a little bit of screenwriting, nothing piss me off more than a movie that cheats on the rules.

Haute Tension is the average splatter french movie of the last generation , with a good direction and decent acting.

Of course you have to like this kind of cinema .

I have very eclectic and personal taste and I like this kind of movie when it is done properly.

Basically I don’t expect a splatter movie to have a particular sophisticated plot but just to be entertaining. Is very risky to try to do something both well done AND original.

Anyway, I find amusing how young french filmakers react to the clichè of french cinema as something traditionally very intellectual and subtly psycological, by throwing buckets of blood and unlimited violence into their movies.

I will do the same if all the movies I have grown up with were centred on naked people talking on an unmaid bed.

So this movie has the average quota of blood and extreme violence.

The plot is that this girl is going to the country house of her friend to spend the weekend there with her family. Then a killer arrives and starts to chop the entire family.

A little boring but this is what you expect watching this kind of movies.

But then you discover that behind this plot there are two screenwriters full of themselves that have the need to feel clever at any cost.

An what is better to be brilliant and prove to the world that you are extremely clever than the alreday-seen-in-every-movie-after-fight-club-twist of “look everything was in her mind, she is really the killer”?

Yes. Once again the main character did all the killing because is nut and has multiple personalities.

This alone is very annoying after hundreds of movies based on this same plot twist, but there is more!

Because our screenwriters Alexandre Aja and Grégory Levasseur are smarter!

And they know that the multiple personality card is what everybody who has seen at least an handfull of movies in the last decade expects.

So what do they do? They cheat!

They put a scene in which we see the “killer”, an ugly man in overalls, in another place doing something else!

While the girl are in the car going toward the country we see a dirty van parked in a field. Inside there is the killer sexually playing with a severed head ( OMG! Now we understand that he is really-really-really bad!)

Done this,  the most-intelligent-screenwriters on the planet pats themselves on the shoulder and says “Now that we have showed the audience that there IS a man with IS OWN VAN, nobody would think that it is all in her mind! How clever of us! AH!”

If the killer his in her f***ing mind he CAN’T be in a different place, you assuming ignorant idiots!!!!

And don’t even dare to play the “dream” card ! Is something they teach you in the first screenwriting lesson that you never-ever-ever-ever can bullshit the audience with the “it was all a dream” trick!

What? What are you saying? You were not at class that day? Yes, I believe you.

Your plot twist is the usual simplistic crap and you don’t even have the guts to risk to be discovered before the end of the first act!!!

Now please Alexandre Aja keep yourself to directing, since you are quite good at it ,and let the professionals  do the screenplay!